In many ways, writing a professional script - understanding the character development in the scriptwriter - is like designing a blueprint for a house. There is good news and bad news about the simplicity of the role development in the script. Let's start with the bad news.
The bad news is that, by far, it may be architecturally equivalent to line drawings and shadows - this is an essential first step, but is now close to the finished product. That's why it's called the development of your script role. The good news is that we are ready for the design element - something interesting - enter your character ' head.
There are a number of ways you can use to further develop your characters in the scriptwriting, but I will discuss some of the more common methods through the work writer. These methods for further promoting character development in scriptwriting include, but are not limited to, the following:
- Write down five big things in your character's life - although this may seem like a simple exercise, it's actually very deceptive in this regard - at least if you do. The way to make this method the most effective is actually two steps: one is thorough and uses non-standard events. By doing this, you force yourself to make your character stand out, not the first thing you write?
- Fill out the information form [or questionnaire] about your role. You can find dozens of such things on the Internet, and many writers think they are very helpful. Essentially, they force you to list the basic elements of who your character is actually - who their parents are, who they have brothers and sisters, what kind of car they drive, where they work, and so on. Think of it as a more intensive version of a work application. If you like, you will be very clear about how this tool should work and better understand the role development in the scriptwriter.
- Start writing with music as an introductory book. When I use it, I only need a song that I really like - I think the character will like it - and then loop it for hours. You might think, "But won't you drive you crazy?" No, it actually has the opposite effect - you end up adjusting it and paying more attention to what's happening in your mind, making you more responsive to your role . You can also use this method to take a full album. One of the main proponents of this approach is Stephen King, and if it works for that person, then it is likely to be useful to you.
Orignal From: Character Development in Screenplay - Beyond the Blueprint
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