Sunday, April 14, 2019

The blockade of the writer - why the middle of your novel or short story may be the hardest part

Have you ever wondered why the middle of writing a novel or short story might be the hardest part? Also, at this point you may want to give up all of this! Well, you are not alone, this article will outline some of the reasons and solutions for this common phenomenon.

The main thing to remember is that the beginning of a novel or short story has an obvious function. That is to introduce the main characters, propose plots, and use the location, content, reason, characters and time of the basic structure. The narrative and even the rhythm of a novel or short story was established from the beginning.

The conclusion or climax of a novel is also obvious. This is to solve the obstacles or objections your hero is facing.

However, the function in the middle is not clear. It can be seen as part of your story, and you can see how your core roles overcome the difficulties or conflicts you set at the beginning. This can be difficult to achieve, especially if you are a new writer. Then it can lead to the writer's blocking because you don't know how to advance your story conclusions.

Therefore, in order to avoid the "sagging" middle, you must plan your novel as much as possible. Note all major and minor roles. This is important because the more you know about the role, the more you can see the possible areas of conflict and interaction. Conflicts will make your story interesting and dynamic, thus avoiding the hindrance of writers.

In the middle is the point where the plot becomes thicker, showing any possible twists and accidents, adding more depth to your novel.

If you have carefully planned and planned, you still find that your novel or short story is in the middle, you can try to introduce a major turmoil or revelation. For example, this could be an unpredictable death of a protagonist, or a betrayal of a character.

This kind of conflict and the injection of drama will exacerbate the tension of your novel and keep the story flowing and involved. However, if you introduce a distortion, it must be credible and implied in the course of your story.

These simple steps should ensure that the middle of your novel or short story should not be too difficult.




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