If you want to know the Indian poetry of India after independence, it is recommended that Iftikhar Husain Rizvi and Nasreen Fatima Rizvi, you need to read poetry such as poetry "P.Lal, Krishna Srinivas, Nissim Ezekiel, Kamala Das, Keshav Malik, British Nandy, Shiv K. Kumar, Jayanta Mahapatra, OP Bhatnagar, Maha Nand Sharma, Baldev Mirza, IHRizvi, RKSingh, KN Daruwalla, Dwarkanath H. Kabadi and Syed Ameeruddin. "For a clearer picture, I would like to add more poets to their list: IK Sharma, P. Raja, Gopal Honnalgere, Bibhu Padhi, Mani Rao, Anuradha Nalapet, Maria Netto, Mamang Dai, Angelee Deodhar, Kala Ramesh, K. Ramesh, PCK Prem and R. Rabindranath Menon.
It's not that Rizvi and Rizvi didn't include these poets in their comments on Indian poetry scenes. In fact, in a short space of about 240 pages, they carefully, neatly and imaginatively wrote about the origins and poetic scenes of the first half of the 19th century, the second half of the 19th century, before independence, that is, in 1901. By 1947, after independence, 1970 [male poet] and female poet [until today].
Authors #39; Although there is no serious criticism or evaluation, the review of poetry scenes provides a larger report to prove that Indian English poetry has its own unique history and maturity, which can widely spread its dispersion. In their 1971-1985 survey of the rapid growth of Indian English poetry, hundreds of new names were mentioned: Jayanta Mahapatra, Syed Ameeruddin, SC Saha, Proaba Bandopadhyay, KVS Murty, OP Bhatnagar, IKSharma, Niranjan Mohanty, Dwarakanath H. Kabadi, Vikram Seth, IHRizvi, RKSingh, DC Chambial, Dilip Chitre, Baldev Mirza, Arun Kolatkar, Laxmi Narayan Mahapatra, Hemant Kulkarni, AC Sahay, PCK Prem, EV Ramakrishnan, Hazara Singh, Saleem Peeradina, TV Reddy, HS Bhatia, and other.
A review of poetry scenes from 1986 to the present mentions Narendarpal Singh, A. Padmanabhan, Mohammed Fakhruddin, CR Mahapatra, Darshan Singh Maini, MA Nare, VS Skanda Prasad, PK Joy, P. Raja, Gopal Honnalgere, Maha Nand Sharma, Tabish Khair, Krishan Gopal, Hoshang Merchant, Shaillendra Natayan Tripathy, Charu Sheel Singh, YN Vaish, CK Shreedharan, Moin Qazi, MK Gopinathan, S. Samal, PKMajumder, Vihang Naik, RV Smith, SL Peeran, Prabhat K. Singh, RS Tiwary, AN Dwivedi, Kanwar Dinesh Singh, CLKhatri and hundreds of others.
Obviously, the authors attempted to provide a comprehensive "in a sense, there are more than 900 Indian poets in the world, of which about 1480 collectibles find space in them." [Preface]. They have explained all the established poets as well as new and neglected poems. Rizvi and Rizvi were fair, balanced and thorough in their speeches. They clearly recognize that the current Indian English poetry scene is "crowded" by poets, poets, struggling poets, true poets and great poets, and "very much needs to put things in the right order... people must Gold is screened out of the sand, but most people should mention gold as much as possible." [p. 5].
This type has existed for more than 175 years, almost "no tradition, no unified source of creative energy. Its achievements are to survive without dogma without sufficient critical support... and most importantly, it The achievement lies in trying to be independent and through itself, "citing AKSrivastava.
Rizvi and Rizvi pay tribute to the advantages of Indian poetry. English is now internationally visible, including "Indian situations, satire, ridicule, satire, ritual, politics, wealth, contemporary issues, love and gender, and interpersonal relationships" [p. 5] .
In fact, their book completed several early publications by this critic, rarely, Indian English writing: 1981-1985: Expression Experiment [1987], recent Indian English poet: Expression and Faith [1992], anger at Action: Explore the anger in Indian English writing [1997], and the recent "The Voice of the Present: Some Critical Articles by Indian and British Poets" [2006].
The author has substance. Claiming that the origin, development and history of Indian English poetry is "required for all universities, degree and graduate schools, as well as English professors and teachers in universities, research institutes, poets and lovers. After "colonialism is over", special It was after 1970, "This makes reading clearer and does provide a more comprehensive creativity in Indian English poetry."
IH RIZVI and NFRIZVI. The origin, development and history of Indian English poetry. Bareilly: Prakash Book Depot, 2008. Page 244, price: rupee. 220 / - . ISBN: 978-81-7977-266-9.
- D.RKSINGH
Orignal From: The development of Indian English poetry
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