Blake Snyder from
Save the cat! from
For writers, this is probably the most dangerous book.
You should read it.
But first, you need to recognize how to use valuable things. from
Save the cat! from
And understand the principles that make it potentially damaging.
Blake Snyder is not dangerous because he is wrong. He did not. He is not in danger because his idea of how to build a script around a great promise is not wonderful. they are.
Blake Snyder is dangerous because he doesn't teach you how to be a writer. He tells you how to become a salesperson.
What is the key to saving cats?
You need a lot of money to turn your script into a movie. No matter where you write a small independent film you want to shoot in the backyard, this is all right. Or the next incarnation of Avatar.
Unless you are a very wealthy person, or have a generous uncle waiting to hold a check, your movie may cost you more than you. This means you need to convince people that they should put their hard-earned money into your production.
We call these people producers. They tend to make writers very angry. This is because they don't care about your artistic vision, the integrity of writing, or the way your script will change the world.
When the producer invests in your movie, he or she is investing in one thing: the chance that your movie will put the seat in the seat.
Without a seated ass, your movie will lose money. No matter how wonderful your artistic vision is, it will not change the world, let anyone laugh, cry or buy an expensive popcorn bucket. Because no one will see it.
Blacks Ned is right. No producer knows how to sell it, no one will go see your movie. This means you need a high price to attract the attention of the audience and let them want to watch your movie. Once they enter the theater, you must fulfill your commitment to the audience so they can talk to their friends about how cool your movie is and open more butts in the theater.
Save the cat! The way is to basically turn your script into a huge sales promotion. A dynamic breathing advertising device looks so irresistible, the audience can't help but see it, producers can't help but buy it, whether it's beneficial or not.
Sounds great, right?
Unless it is not for you.
That's because unless you happen to be born in a Hollywood family [Snyder's father is producer Kenneth Snyder] or have already spent millions of dollars in your back pocket, no one will catch your bad script. . No matter how good the promise is.
Sale is a professional
This is real. Hollywood is full of writers who sell bad scripts with great promise and make a lot of money.
you can also.
That is, if you have happened to be a great time writer.
The problem is that if you're like most writers, this could mean that there aren't millions of dollars in your back pocket. In this case, no one will risk your script.
This seems to be an unbalanced double standard. but it is not the truth. If you don't believe me, answer this question:
Whose next script is more likely to make money for your investment: Quentin Tarantino or Joe Smith?
You don't even know what the script is, but you already know the answer. Tarantino has a complete record pointing. Joe is just his script.
If Joe is going to convince anyone to seize the opportunity, then the script is best. Awesome. It's best to let them believe so firmly so that they can put their reputation and their hard-earned money online.
The truth is that Hollywood's "good idea" is only a dozen. The same is true for writers with impressive records.
But really good scripts are very rare.
A good script is the gold of Hollywood. You can write one.
Blake Snyder can tell you how to sell it. But he can't tell you how to write it.
Blake Snyder's giant is for a reason from
Stop or my mom will shoot from
.
No matter what movie you are writing, it is a touching TV series, popcorn trick or action, or adolescent sex comedy. There is no shortcut in the writing process. If you want to write a good movie, at least not.
Four stages of writing
In my class, I divided the writing process into four phases. I will elaborate on this in a future newsletter, but for now, here is a brief overview:
1. ME draft
2. Audience Draft
3. Producer draft
4. Reader draft
What Blake Snyder described in saving the cat! It's actually just the PRODUCTER phase of the process: the adaptation and revision phase, focusing on magnifying the most marketable elements of your script and turning it into a producer's candy.
This is a good place to end. But this is a bad starting point.
Don't make your writing life feel like a used car salesman
There is no offense to any used car dealer there, but you won't break into a highly competitive industry like the movie industry by selling frustrated vintage cars with fancy paint jobs.
You can cheat your Aunt Ada. But the real producer can judge when the engine is not running.
Open to the process
If you let yourself be tempted to think about the course before you have anything worth selling, you won't get to where you want to go.
Like the one who talks the most on the basketball court, it may not go to the NBA. At least until he learns to shoot.
Learning to shoot in the world of scriptwriting begins with discovering your character and taking him or her for a substantial trip.
This means connecting with your subconscious creative thinking, which may not care about marketability and sales promotion, and create a story that goes beyond your own plans and expectations.
Then, when you decide to "save the cat," you do this for the right reasons: zoom in and focus on what has made your script better, and shape it into a form that producers can covet.
Don't worry, you will have enough time to sell it later. But you must first become a writer.
Learn to understand the four stages of writing
Want to know how to learn a more effective way to "save cats" in your own writing? Come and see my upcoming scriptwriting workshop: adaptation and revision.
You don't want to impose a cheesy sales promotion from outside, but learn to recognize the low-key that already exists in your work, concentrate your writing, bring it to the surface, strengthen your character journey, and create a story that appeals to the audience. Will not let them leave.
Sign up now and see your first session for just $20!
Orignal From: What is the mistake Blake Snyder saved CAT? Four stages of scriptwriting
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