Wednesday, May 8, 2019

Use Skype for auditions and interviews

For actors, there is more and more interviews and auditions on Skype. Technology has evolved into a place where high quality video communication can be conducted over the Internet at very reasonable cost [free of charge]. Again, it reduces travel expenses and simulates the final product of a movie or TV. In addition, when recording interviews and auditions, they can be passed to the director and producer to compare between viable candidates.

Knowing how to use this tool can help promote a person's career. This includes technical knowledge and considerations for interviews and auditions. This article will cover the key aspects of each phase.

Technical aspects

The technical aspects we will see are software, cameras, microphones, lighting and backgrounds. Understanding how Skype works can be enhanced by following the instructions and viewing the many tutorials on YouTube. It is important to understand how to use this service before going live. Practice by calling friends to familiarize yourself with the various features. You can also confirm the correct operation by calling the bills on Echo Sound Test Service and Skype Video Echo for free. This should be done on a regular basis, especially before an important interview or audition.

Camera placement and framing should allow for some movement and gestures. If your webcam is on the display, you can adjust the frame by camera movement. The frame should look like this, we can see the upper half of your chest [the third button on the dress shirt] and the width of the hand above the head at the top of the frame. The camera height should be close to the line of sight or slightly higher, depending on how well you look. Adjust the camera settings to get the best skin tone.

Lighting is an important factor in using Skype. You want to eliminate it evenly when you place a light source of about 30 degrees on the left or right side of the camera. This will give you a pleasing shadow and a three-dimensional look of your facial features. The shadow lights work well and can be moved up or down, left or right, up and down for best results. When the light is about 20 degrees higher than the eye line, the effect can be improved. Fill or weaker light should be placed on the opposite side to soften the shadows.

The sound should come clearly and pick up your voice without echo or hum. A microphone with a flexible arm provides some room for positioning. You want the microphone to be close enough for the best pickup, but not so close it will distract you. Another option is to use a clip-on microphone with the cable hidden under the clothes. You should know that the microphone will distort your voice, especially the cheap ones. Although these can be chatted with friends, they need better quality at the audition. Check the sound quality on Echo and correct it by placing a better microphone or getting a better microphone.

The background behind you is also a consideration. Your performance or interview should not be distracting. The neutral background is the best and should be far enough so that your shadows don't distract. Some actors believe that if the background is interesting, it will increase their chances. This is not the case, because what they want to see is not your gadgets or photos.

Another consideration is the background noise which may be pets, family members, phones, and even home appliances. Prepare your environment so that it is stress free and free of any visual or acoustic interference.

On Skype, you must provide a username and a person can contact your address. It is similar to an email address. It should be professional and will not distract you. Create a name that is very similar to it, using your industry name. Resume photos also help to improve professional personality.

Interview considerations

Let's start with this part of the simplest consideration. First, you need to support the costumes of your character and the characters you describe later. Actors usually wear a dress that is too gorgeous or too fashionable to distract and think that clothes will sell them better. Similarly, there is also a temptation to dress only at the waist. Through the complete ensemble, you will maintain the interview mode. If you are asked to stand up for some reason, you don't want it to be awkward and undermine the impression you build.

Body language is very important in interviews. Many actors said that the audition will start the moment you walk into the door. Therefore, the interview part is considered to be the main part of the audition. Concentrate on sitting straight and make eye contact through a webcam. You'll want to focus on the monitor, but visually watch the people behind you standing behind the webcam. Avoid being completely connected to the webcam as this will become a forced act of betraying your sincerity. Use the appearance to indicate the answer, recall the past events or depict the implementation. This behavior portrays the film capabilities that an actor needs. At the same time, nodding is used to accept comments and slight movements to the lens to express interest in the interviewer.

Be prepared for positive comments and answers to possible questions. Prepare stories and antidote to illustrate your achievements, craftsmanship and training. These should be short. These are very important because they show your animation and authenticity as well as your range of expression. In this regard, learn about the company and the people interviewing you. What kind of movies they made, how many awards they won, the box office numbers, and the actors they played. This information is available on IMDB.com, Box Office Mojo and Google. Companies also have websites that production owners can usually use. Use supplements during the interview, especially if you can connect them to the audition project.

Tell them who you are. Use Skype's file sharing feature to send your avatar, video reel, proxy resume and any other combination items to the director and / or actor. This will be appreciated and shows that you are well prepared. It can also give you an edge over other candidates.

The most important question will be how you plan to portray the character, how you see it and its role in the story. Whether you are reading a script or a synopsis, or your level of dramatic knowledge, these issues will affect your commitment to the role. Ask a well thought out question. Also, be prepared to state your preference for the character and his or her relationship with something in your own life or someone you know. Being able to discuss stories in a smart way, confrontation, relationships can influence the decision of the auditor. Such responses also help verify the experience and training listed in your resume.

Finally, treat your Skype interview as a real interview. get ready. Set goals. Be amiable, full of enthusiasm, and provide clues that you are actively listening.

Audition

Normally, you will receive your copy and script or story outline before the audition. This should have time to analyze the material, propose dramatic choices, and develop roles. You may also receive instructions from the CD or the director about the character and preparing the scene or scene. If you do not know these rules, please contact the CD.

There are some challenges with using Skype because the response between the auditor or the reader and the actor is slightly delayed. This hinders the time and naturalism between the actors and actors who play other parts. Therefore, in order to get real performance, it helps to get the agent partner into the room instead of dealing with the pressure of time delay. Your goal should be to produce the most natural and true performance, and you should do whatever is necessary to create a comfortable, stress-free environment. Again, we have not seen the reaction of your lens agency partner. Therefore, you must find ways to deal with these invisible reactions. You can connect two microphones to your computer by using two female and one male Y cable adapter.

In the audition, where are you looking? Some CDs want you to look at the camera so they can see your eyes. Others want more movie performances, your eyes focus on the problem at hand, relationships with other characters, your internal problems, memories of memories, and behaviors such as realization, thinking, and expectations. When such a performance is forced to observe the camera through an angle, the performance skills are limited and thus reduced. Conversely, when the eye is allowed to move through the appearance and focus on the element, the scene becomes active because we imagine the thoughts and feelings from the character's behavior. This portrayal is closer to the movie on the big screen.

The movement in the Skype audition is limited by the framework, but because it is a close-up, it may bring meaning to the scene. For example, move to the camera when facing someone or showing interest. When you encounter a problem that you would rather avoid, you can go back and think about a problem, or stay away from the camera and lights. Gestures and body language are equally possible. Because you are close-ups, keep such movements and gestures smaller and slower because they are emphasized by the tightness of the lens. Remember that your non-verbal content conveys 90% of your communication. This includes physical presence, expressions, your gestures and touch, plus vocal characteristics, how do you talk about dialogue.

Lack of energy is a common complaint of casting directors, not to mention that energy cannot be maintained throughout the audition. Lack of energy is mainly manifested in the delivery of dialogue, pressure, selective weakening and uncertainty caused by edge processes can weaken one's...




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