3/5 stars
This album runs through the pop culture of the late 1970s. Pat Benata can't wait to suddenly appear in the scene, this is the first to launch the first bulldozer bionic song "Sad Man." Although the lyrics were not written by Benatar, they have an incredible atmosphere, because her love is like a wave, spinning on my head. Look at these guys, since Janis Joplin, she has been motivated to create an unprecedented rhythm for women rock bands.
Nilgirardo has been hiding there because his cleft style burns under crisp lighting. There is really not enough words in English to describe his importance to the contribution of not only a female pop singer, but the foundation of a band. When Benatar releases her voice and Giraldo picks up the ball, there is a bounty of bounty, which is certainly worth noting and full of unique qualities.
"I need a lover," a song written by John Cauca, whose self-title version is still hot when Pat Benatar picks it up. Her version is not as long as Cougar's, and it feels almost inappropriate in the atmosphere. This is the only song that makes the rest of the album a complete work. There are other suitable covers, such as "Rated X" [Nickeld] and "Don't let it show" [Alan Parsons], which are two and four years old at the time of this release. Both artists are at the peak of their careers, and Benatar brings her own debut album by recognizing their impact on music and their work.
The end of the first side goes smoothly to the beginning of the second side, and some slower songs won't release you, but it's more suitable to attract you, starting with the title track. Benatar is tempting in her grammar and slams her gloves as she pushes her voice to a higher pitch. When Giraldo listened to the notes he distributed through the song, he was very stable.
Miss Benatar left a mark on the writing process when she contributed to "My clone is alone," working with bassist Roger Capps. The lyrics scream to female rock singers everywhere, not because you are told to walk, but to open up your own path to rock and roll. This subliminal information is masked in the process of cloning human medical science. The following message may not be written deliberately, but it needs to be considered.
Neil Giraldo tested Benatar's vocals and heard them in the sultry "We Live For Love." Her background as an aspiring opera singer allowed her to see it while shooting the rhythm behind her. Don't think that they will give you a moment of breathing, because you are tempted by the "rated X" that is overthrown by heat. This is the other side of the "sad person" lyrics, with more supple overtones, showing the inherent sensitivity. The edge was defeated and the door to libido was opened.
"No, you are not" and "so sincere" are the numbers of rock and roll that make the audience more anxious. Benatar's vocal training is very good in rock type because she can reach difficult highs and lows. Pop culture will capture "sad people" and may make it difficult for her to lose the title of Pop/Rock Queen. Obviously, this girl can rock.
RUSTYSCAGE.COM/MUSIC
Orignal From: Album Review: Pat Benatar's "The Heat of the Night"
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